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Gojira frontman Joe Duplantier was interviewed shortly after the band's set at the Heavy MTL festival in Montreal. In the clip above, he talks about the response to their latest album, L'Enfant Sauvage; what he sees as the key to Gojira's music; balancing brutality and beauty; and much more. Check it out!


L'Enfant Sauvage is available everywhere now - grab a copy from the Roadrunner webstore!

Source: http://www.roadrunnerrecords.com/news/gojira-joe-20120820

The Scene Aesthetic Pony Up! The June Brides The Wedding Present

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Bruce Springsteen is back with a new record made significant since it is the first since the death of long time Sax man Clarence Clemmons. It is said this is one of the most overtly political records Springsteen has made in a while. Having said that, here are my thoughts, track by track.

1. We Take Care Of Our Own:  A good start to the record with a traditional Springsteen rocker. All the elements are here; big guitars, piano flourishes, and Bruce at his most earnest. Vocally, there is a definite sense of restraint; a younger Bruce would have screamed the chorus instead here he merely sings it. It could be construed as a bit jingoistic lyrically, but it sets the tone.

2. Easy Money: A country/blues shuffle with a gospel choir paints the picture of what I think is a couple out to commit a crime. Whether it is out of need or the thrill is unclear, the song itself is meant to be an uplifting revival stomper.

3. Shackled and Drawn: Continuing the gospel flavor of the record, this mid tempo track features Bruce in his evangelical preacher guise. It appears the big theme of the record so far is being oppressed and beat down. It's a weird juxtaposition to have such spiritual sounding music with such dark lyrics.

4. Jack Of All Trades: An aching ballad drives the tempo of the record even further. This is the story of a man willing to do anything to get a job and pay the bills (clean storm drains, mow the lawn.) The man if confident his work ethic will see him through, but the coming storm indicates that might not be the case. It marks the first song that would have been a showcase for Clemons, with the traditional sax solo replaced another player.

5. Death To My Hometown: An Irish jig masquerading as a rock song in the vein of THE POGUES, this song is the angry Springsteen in his full force. A song that live will be powerful in it's stripped down basics.

6. This Depression: A plaintive drum beat drives this song as we start to move out of the anger of economic loss and turn to those we love for support. Bruce argues here that the only way we can get through this is with the love and care of others. By the time the guitar solo kicks in, you almost believe him.

7. Wrecking Ball: Springsteen has often cited WOODY GUTHRIE as an influence and here it shows. A folk number that if enhanced with a horns that serves as the core of the record. The protagonist is daring the powers that be to take him down knowing he has the strength to overcome anything. The second half of the song is a triumph of sound.

8. You've Got It: A simple acoustic song (rumor was this record was originally just going to be Springsteen himself playing the songs), explodes into a full bore rock song by the end. One imagines Little Stevie going nuts on this one on stage.

9. Rocky Ground: The inevitable duet with Patti Scialfa shows up at this point. I have never been a fan of her work with the band, but clearly when you are The Boss's wife you get some perks.

10. Land Of Hope And Dreams: This song has been played live for a long time (making it's debut in 1999), but it finally makes it way to recorded form. This has been one of my favorite songs for awhile so I was excited to see it get a proper recording. It doesn't have to thrust the live version does, but it makes for a great juxtaposition to the rest of the darker material on the record. This and the lead track are the clear standouts.

11. We Are Alive: I almost thought it was a U2 song until Springsteen comes in. Another southern gospel track accompanied by a banjo brings the set to a close with references to Martin Luther King's death and other social catastrophes. The sentiment is a nice one of surviving the storms of economic uncertainty and coming out the other side better people.

The final verdict is that it might not be a classic Bruce Springsteen record, and that's okay. Springsteen can experiment with his sound at this stage in his career and we will accept it. Rather than rehash the same sounds he isn't afraid to tinker with gospel, country and other folk sounds. Most of this will never find it's way into the live cannon, but as a work on it's own, it is a quality record worthy of The Boss.

Source: http://feedproxy.google.com/~r/blogspot/sQBf/~3/cXO24rfVXxo/track-by-track-bruce-springsteens.html

Grandaddy VV Brown Fat Tulips Farrah

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Hello, today the 74th post of Goldy Rhox, classic pop rock. In the darklight are an US instrumental R&B band that was influential in shaping the sound of southern soul and Memphis soul. Original members of the group were Booker T. Jones (organ, piano), Steve Cropper (guitar), Lewie Steinberg (bass), and Al Jackson, Jr. (drums). In the 1960s, as members of the house band of Stax Records, they played on hundreds of recordings by artists such as Wilson Pickett, Otis Redding, Bill Withers, Sam & Dave, Carla and Rufus Thomas and Johnnie Taylor. They also released instrumental records under their own name. As originators of the unique Stax sound, the group was one of the most prolific, respected, and imitated of their era. By the mid-1960s, bands on both sides of the Atlantic were trying to sound like them.

In 1965, Steinberg was replaced by Donald "Duck" Dunn, who has played with the group ever since, sadly he died last week. Al Jackson, Jr. was murdered in 1975. Since then, the trio of Dunn, Cropper and Jones have reunited on numerous occasions using various drummers, including Willie Hall, Anton Fig, Steve Jordan and Steve Potts. The band was inducted into the Rock and Roll Hall of Fame in 1992. In 1977, Cropper and Dunn famously became part of The Blues Brothers Band, appearing on the number one album Briefcase Full of Blues. Cropper and Dunn, along with drummer Willie Hall, also appeared in the 1980 movie The Blues Brothers starring Dan Aykroyd and John Belushi. Cropper, Dunn and Hall later reprised their roles in Blues Brothers 2000. Being great musicians over the years they've been asked to back many a superstar..

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Most of the albums i 'll post made many millions for the music industry and a lot of what i intend to post still gets repackaged and remastered decades later, squeezing the last drop of profit out of bands that for the most part have ceased to exist long ago, although sometimes they get lured out of the mothballs to do a big bucks gig or tour. Now i'm not as naive to post this kinda music for all to see and have deleted, these will be a black box posts, i'm sorry for those on limited bandwidth but for most of you a gamble will get you a quality rip don't like it, deleting is just 2 clicks...That said i will try to accommodate somewhat and produce some cryptic info on the artist and or album.

"Green Onions" is one of the most popular instrumental rock and soul songs ever, reaching #3 in 1962 and remaining oft-played on oldies radio and by bar bands ever since. Instrumentals were very big in rock music when "Green Onions" came out, and many stuck to conventional, even boring, major-keyed R&B-based riffs. "Green Onions" was immediately distinctive and different for its ominous three-note riffs and minor-colored, constant key changes. It was a sweet-sour blend akin to the "Green Onions" of the title, but very tough and creepy as well, like a hypnotic prelude to a night of prowling for action in dark alleys. The band's instrumental talents really asserted themselves on this recording as well, particularly in  Jones's distinctive choked organ textures and skittering, economic single-note solos. Also taking some of the solos were Steve Cropper's ruthlessly lean, devious, and reverbed guitar, squeezing out spurts of menace when not keeping a choppy rhythm with choked chords. "Green Onions" is an irresistible dance song, and one of the moodiest uptempo soul-rock instrumentals of its sort. This here is a 30-track release documenting the key years of one of the most important instrumental groups in the history of pop


Goldy Rhox 74   (flac 419mb)

Goldy Rhox 74   ( ogg 182mb)


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Source: http://rho-xs.blogspot.com/2012/05/rhodeo-1222-goldy-rhox-74.html

Emily Haines Kent My Teenage Stride Ingrid Michaelson

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This is Peter Gabriel performing live with a sizable studio audience at Maison De La Radio, Paris, back on the 24th October 2002. This performance was in support of his then 7th solo studio album 'Up' which had been released the preceding month and half the songs performed at this gig were from that album, including a stunning performance of 'Darkness' (a song about overcoming fears) which is the opening song both on the album and at this performance.

Peter talks to the audience in French and the station announcer adds commentary occasionally, however this seems to add to the whole show giving it a very personal feel and a reference in time.

In the Spring of 1995, Gabriel began work on the album. Its name was Up from the start, though at one point it was considered to be called I/O. Gabriel began saying the album was near completion somewhere around 1998 but did not release it until September 2002. In the months preceding the album's release, video clips of Gabriel talking about the songs as well as short demos of each song were released at the coming of every full moon on Peter Gabriel's official website.

Source: FM Broadcast.

Sound Quality: Very good stereo mp3@220kbps. 

Genre: Progressive rock, art rock, experimental rock, pop rock, world music.

Set: Full set. 

Set List:

1. Darkness 07:44
2. Red Rain 06:47
3. Growing Up 08:23
4 Mercy Street 06:49
5 My Head Sounds Like That 07:11
6 The Barry Williams Show 07:41
7 More Than This 06:06
8 Band Introductions 04:12
9 Sledgehammer 06:40
10 In Your Eyes (with Youssoun'n dour)11:16
11 Bonus - Youssou'n Dour live fiesta del sud, Marseille, France) 04:55

Web: Official HERE.

(download link in comments below).

Source: http://www.beehivecandy.com/2012/04/peter-gabriel-paris-2002.html

Shop Assistants The Olivia Tremor Control Joan Of Arc Saturday Looks Good to Me

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I would like to clarify something regarding my beliefs on illegal immigration.

I am not opposes to decent, law-abiding, hard-working people coming to the United States to make a better life for them and their families. That is commendable and it is the foundation that American was built upon.

What I do oppose is the hordes of illegal immigrants that come into our country expecting a free ride on the backs of other hard-working Americans. I am opposed to immigrants that come to our country with no intention of becoming American citizens, or for that matter, even becoming legal residents but still fill that they are entitled to free health care, free shelter, free food.

Let me get this straight, nowhere in the Constitution of the United States does it say that a citizen of this country is entitled, or even has a right to, such things. With that in mind, why on God?s green Earth would people that are not even in this country legally have a right to those things?  Give up? That?s right. They don?t!!!

Immigrants that come into our country illegally and demand to be put on our welfare rolls only serves to make those that come into our country legally look bad and reflects poorly on that fragment of society as a whole. This is unfortunate because there really is a decent-sized population of immigrants that want to do things the right way, the legal way. They want to work hard and become American citizens because they want to be a part of, and they want their families to be a part of, the greatest country in the world.

We need to put an end to providing welfare benefits for individuals that are not in this country legally as much as we need to put end to corporate welfare. We need to end the automatic amnesty of illegal immigrants. The solution is that we need to put our resources into identifying these people and taking appropriate action with them once they are located. We need to let I.C.E. do their job.

To recap, I am saying, I am not opposed to immigrants. I am opposed to allowing illegal immigrants continue to break the law. Our country?s immigration laws are not immoral. They were put in place for a good reason. It is time we obey the law and hold those accountable that continue to disobey the law.

Source: http://otterlimits.blogspot.com/2012/08/not-against-immigrants.html

MGMT Two Door Cinema Club of Montreal Lush

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The Death of Greeley Estates is the fifth full-length album by Greeley Estates. It was expected to be released on August 2, but was pushed forward due to obligations to August 9, 2011 through Tragic Hero Records and is produced by Cory Spotts. The first single for the album was released on June 1, 2011, titled "The Last Dance". On June 2nd, 2011 Greeley Estates announced on their Twitter that they will be opening with a new song entitled "Straitjacket" on their next show. Which is going to be released July 7 on the band's Facebook page, and it's also the 1st track on the record. On June 4th Greeley announced via their Facebook page that they would be releasing the song "Friendly Neighborhood Visit" through Altpress on June 7th. A new song called "Bodies" was mentioned when Greeley Estates talked about going over new songs for their next show. A tracklist for the album has been released online however it is slightly incorrect. The listing below is official and correct. The previews for all the songs have been released online.

Source: http://4metal.blogspot.com/2011/08/greeley-estates-death-of-greeley.html

Statistics Starlight Mints Lois The Little Ones

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Being swept away by politics (can you imagine...) and the current Finnish presidential election campaign has occupied a lot of my time lately. Still, I have found the time to listen to some really great stuff.

Currently I have been very excited about Paul Revere & the Raiders, a band I didn't know anything about until I heard the Wondermints cover version of Louise quite a few years ago. I never got around to check out the original performer's music although I did listen to the original version many times. A breakthrough occured when I found out about a great new Paul Revere & the Raiders compilation CD called Hungry for Kicks: Singles & Choice Cuts 1965-69 and I decided to take a step forward.

It didn't take long for the band to thoroughly convince me. This compilation is a manifestation of superb 60s pop and ass-kicking soul'n roll: catchy songs, often representing pure bubblegum (with soul) or psychedelic pop and rock. It comes as no surprise that Paul Revere & the Raiders were highly successful and scored numerous hit singles in the latter half of the 1960s.

Some of the most distinctly bubblegum-styled songs include Hungry, Let Me, Cinderella Sunshine, Don't Take It So Hard, and Mr Sun, Mr. Moon. I always find it amazing how many familiar, cherished elements I hear in these songs, having previously gotten to know such fantastic things such as Ohio Express, the Archies, and many soft rock baroque gems. Make good 60s-style bubblegum/baroque music and you are pretty much automatically one of my favorites! There are also moments when the Raiders sound exactly like the Monkees. A great version of I'm Not Your Stepping Stone supports this view.

There is also a good bunch of soul to be heard: Stepping Out, Peace of Mind, and We Gotta All Get Together. The psychedelic side contains such gems as I Had a Dream, Good Thing, Why? Why? Why? (Is It So Hard), The Great Airplane Strike, not to mention Observation From Flight 285 (In 3/4 Time) which is awesome, just awesome!

Generally speaking I can't describe how happy I am to once again discover such awesome music. This compilation by Paul Revere & the Raiders makes me feel like life is a party and every nice person in the world is invited to dance, dance, dance (gotta love that hilarious Beach Boys pastiche Action!).

Lastly, here is a quote from We Gotta All Get Together that might even reveal something about my political views. Enjoy!

This world ain't got no room for narrow-minded people
Now you'd better get ready 'cause a change is about to come!

Source: http://thoughtsonmelody.blogspot.com/2012/02/very-good-good-good-good-thing.html

Immaculate Machine Tahiti 80 Talulah Gosh Kate Nash

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The Legendary Party of the 80s "REQUIEM" is back in MANILA. REQUIEM RISING Presents "REBEL YELL". Witness the return of IDENTITY CRISIS!! After 25 years, IT"S BACK! A new wave concert/dance party featuring the reunion of IDENTITY CRISIS. KUDOS LOVES 80s with special guests JETT PANGAN & NICOLE ASENSIO of General Luna. Music mixes by DJ JON TUPAZ, MODE ZERO, and guest DJs from popular 80s mobiles. This is on SEPTEMBER 9, 2011!! Btw, I have already featured REQUIEM, DJ JON TUPAZ IDENTITY CRISIS, and MODE ZERO here on "The Doctor Is In" before so just check out my archives. I guess It's about time to see IDENTITY CRISIS again in the music scene.


WATCH the TRAILER here:



REBEL YELL!!
-DR. STIRRING RHOD

Source: http://docmuzic.blogspot.com/2011/08/requiem-rising-presents-rebel-yell.html

Kerli Interpol The Helio Sequence Love Is All

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So, guess which live act I still prefer in all of Tampere and Finland? It is of course the Tampere Philharmonic Orchestra, one of the very few full-size symphony orchestras in Finland. It seems that it can't get any better now. I have discovered the most skilled musicians and most appreciated works of music that have most definitely stood up well against the test of time!

Here is a small recap of what I experienced during January and February. To keep it short I haven't commented on everything.

Jan 13th: Film music by John Williams
Lead by Peruvian conductor Arturo Alvarado, the Philharmonic played an energetic, sold-out show of John Williams' best-known film music, including themes from Indiana Jones, Harry Potter, E.T., Schindler's List, and of course Star Wars. The most memorable moment to me was the theme from Jaws. Just imagine a huge orchestra playing those two notes... Gee, that was cool! I also loved Harry Potter, as well as Schindler's List which was a lot more stripped-down as a whole but all the more beautiful.

Jan 20th: Vivier, Brahms, Stravinsky
Vivier finished writing his cosmic composition Orion in 1980. Compositions as new as this are often very different from the old classics and Orion was no exception. Anything composed in the 20th century can easily be recommended to fans of progressive rock. As for Johannes Brahms, he was a composer whose music is often performed in Tampere these days. He is a popular ?old-school? guy, and piano concerto #2 was indeed a very impressive, even heavy piece of music.

Jan 27th: Olivier Messiaen: Turangalîla
This time the people at Tampere-talo were introduced to French 20th century composer Olivier Messiaen and his long ten-part Turangalîla symphony. Valérie Hartmann-Claverie played ondes martenot, the first widely used electronic instrument. The wailing sound of the instrument was indeed an important part of some of the more sentimental parts of the symphony. All in all, a lot of this piece of art was somewhat challenging to listen to. Still, somehow I got the hang of it and in the end I felt happy. It was a very rewarding listening experience. Sometimes it can be really worthwile to challenge yourself!

Feb 3rd: Sibelius, Mustonen, Prokofjev
This was the first time I heard music from Finland's most famous composer Jean Sibelius played live. Bardi op. 64 was a small, intimate musical poem. I was thrilled to feel the beautiful Finnish landscape in musical form. The main event was Olli Mustonen's first symphony Tuuri, ordered and performed for the first time by the Tampere Philharmonic Orchestra, conductred by Mustonen himself. Tuuri was a charming work, composed to the famous Finnish poet Eino Leino's poetry (Helkavirret). Great music, great lyrics!

Feb 17th: Liszt, Glass, Sibelius
Liszt and Sibelius were really awesome but Philip Glass hit the jackpot with his violin concerto. It was like hypnosis. Glass's harmonies were sometimes (especially at the beginning) bizarre but mostly the music was all about stunningly beautiful, hypnotic, repeating melodies. Repetition, in general, is not the most common feature in classical music but Glass is the master of repetition. However, the music doesn't get boring at all because Glass's melodies are incredibly memorable and the mood is... hypnotic, as well as really dramatic. Listen to the concerto if you already haven't! The first and third movement are really fast and dramatic, and the second part is slow and incredibly, really incredibly touching... Oh my goodness.

Here it is:
1st mov
2nd mov
3rd mov

Source: http://thoughtsonmelody.blogspot.com/2012/04/philharmonic-tampere-2012-so-far-from.html

teamAWESOME! Ben Kweller Feist Sing Sing

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